[collection name]: Fan Zeng of Daofa nature
[Specification]: length: 138cm, width: 68cm
Fan Zeng (1938.7.5 -), with ten wings, was born in Nantong, Jiangsu Province. He is a great scholar, thinker, sinologist, calligrapher, painter, litterateur and poet. At present, he is the president and Chair Professor of the Chinese Academy of painting, Peking University, lifelong researcher of the Chinese Academy of art, the only lifelong professor of Nankai University and Nantong University, the "special adviser for multiculturalism" of UNESCO, the honorary doctor of literature of the University of Glasgow and the honorary doctor of literature of the University of Alberta. He is a cultural master of poetry, calligraphy, painting, literature, history, philosophy, Confucianism, Buddhism and Taoism in contemporary China. He has published more than 160 kinds of poetry, calligraphy, painting and philosophy works, of which 119 are collected by the National Library. Fan Zeng advocated "returning to classicality and nature" and practiced the aesthetic principle of "taking poetry as the soul and book as the bone". He made great contribution to the development of Chinese painting and created the forerunner of "neoclassicism" art. In 1984, Fanzeng art museum was established in Okayama, Japan; in 1986, he donated and presided over the Department of Oriental Art of Nankai University; in 2008, Fanzeng Art Museum of Nantong University was opened; in 2011, he won the lifetime achievement award of Chinese art and literature award. There are twenty-four words of self-evaluation: infatuated with painting, able to read; occasionally as a dictionary, quite express their feelings; good history of reading, slightly through the changes of ancient and modern times.
范曾，中国当代著名学者，书画巨匠，散文家，艺术理论家，美学家， 教育家， 鉴赏家，杂学家，讲演家，社会活动家，慈善家，诗人。范曾获聘：南开大学终身教授，南开大学文学院、 历史学院博士生导师， 北京大学中国画法研究院院长、 中国文化书院导师，中国艺术研究院博士生导师、终身研究员， 南通大学终身教授、 南通大学楚辞研究中心学术委员会主任， 中国海洋大学人文社会科学研究院院长， 山东大学艺术学院名誉院长、特聘教授， 中国人民大学国学院专家委员会委员、 兼职教授， 武汉大学特聘教授， 内蒙古大学名誉教授， 济南大学特聘教授， 郑州师范学院、 中州大学特聘教授，中国书画收藏专业委员会主席， 中国美术家协会会员， 中国艺术家协会顾问， 中国民主同盟中央委员、民盟中央美术院艺术指导委员会委员， 南昌八大山人纪念馆名誉馆长， 天津市国学研究会学术顾问，天津盘山书院山长，山东 梁山县政府顾问。
Fan Zeng, a famous contemporary Chinese scholar, master of calligraphy and painting, essayist, art theorist, aesthetician, educator, connoisseur, miscellaneous scholar, speaker, social activist, philanthropist, poet. Fan Zeng was employed as a lifelong professor of Nankai University, a doctoral supervisor of the school of Arts and history of Nankai University, a dean of the Chinese Painting Academy of Peking University, a supervisor of the Chinese culture academy, a doctoral supervisor and a lifelong researcher of the Chinese art academy, a lifelong professor of Nantong University, and a director of the academic committee of the Chuci research center of Nantong University, Dean of the Institute of Humanities and social sciences of Ocean University of China, honorary Dean and distinguished professor of the school of art of Shandong University, member and part-time professor of the expert committee of the National College of Renmin University of China, distinguished professor of Wuhan University, Honorary Professor of Inner Mongolia University, distinguished professor of Jinan University, Zhengzhou normal university Distinguished professor of Zhongzhou University, chairman of China calligraphy and painting collection professional committee, member of China Artists Association, consultant of China Artists Association, member of Central Committee of China Democratic League, member of art Steering Committee of Central Academy of fine arts of China Democratic League, honorary curator of Nanchang eight mountain people memorial hall, academic Consultant of Tianjin Sinology Research Association, head of Tianjin Panshan academy, Shandong Province Liangshan county government consultant.
I know fan once had a trilogy: the first step is that he is just a painter, the second step is that he is a sinologist, and the third step is that he is a thinker. In these three aspects, he has profound and exquisite attainments.
The evaluation of Qian Zhongshu, the literary Champion: the painting is superior to the others
Yang Zhenning, Nobel Laureate in physics, said: Fan Zeng, who is here today, is no problem. He is a contemporary master, a contemporary calligrapher and a contemporary painter. In my layman's view, he is not only contemporary, but also has not been as big as him for hundreds of years.
[collection name]: Miss Chairman Mao day and night Huang Zhou
[Specification]: length: 138cm, width: 68cm
Huang Zhou has made outstanding contributions to promoting the development of contemporary art, international cultural and art exchanges, and the reunification of the motherland. He went deep into the border areas and worked hard. From the time when the apple blossomed in the 1950s, the wind and snow in the wild, the market, to the painting of a hundred donkeys in the 1970s and 1980s, the wind and snow returned at night, and the food giver, Huang Zhou formed a distinctive personal painting style on the basis of rich life. He was the first figure painter who broke through the Jiang Xu system in China. His excellent works in different periods have won many awards at home and abroad. In the late 1970s, he drew a masterpiece of "dedicated to the people" in memory of Zhou Enlai. Liang Huangzhou's art practice has a positive and profound influence on the development of contemporary art.
Liang Huangzhou is not only a people's artist, but also a social activist. In the early 1980s, he and famous painters Li Keran, Cai Ruohong, Hua Junwu, etc. jointly founded the Chinese Painting Research Institute, while the establishment of Yanhuang Art Museum is Liang Huangzhou's more outstanding masterpiece. When Huang Zhou held a solo exhibition in Singapore in 1986, it caused a sensation. Some people proposed to establish Huang Zhou Art Museum. He said, "I'm not enough to build a museum. To build one, I need to build one that belongs to the Chinese people and even human beings.". After four years of financing and construction, in 1991, Yanhuang Art Museum, China's first large-scale private and public funded Modern Art Museum, was finally built. Liang Huangzhou served as the curator of the art museum, and donated more than 200 ancient calligraphy and painting relics and more than 1000 representative and sketch works. Yanhuang Art Museum has done a lot of work in protecting and promoting national art, promoting the development of art education public welfare and strengthening international cultural exchange. Liang Huangzhou's art path, academic spirit and persistent pursuit of promoting the development of national culture have a profound influence at home and abroad.
[collection name]: Silk landscape in wenzhengming of Ming Dynasty
Wen Zhengming (1470.11.28-1559.3.28), formerly known as Bi (or Zuobi), has the character of Ming. From the age of forty-two, the word lines, more characters symbolize Zhong. Because of the ancient Hengshan people, it is called Hengshan Ju Shi, which is known as "Wenheng mountain". Because the official went to Hanlin to wait for the imperial edict, and he was posthumously named Mr. Zhen Xian, he was called "Wen to Zhao" and "Wen Zhen Xian". He was born in Changzhou county (now Suzhou, Jiangsu Province), Suzhou Prefecture of nanzhili. Ming Dynasty outstanding painter, calligrapher, Taoist, writer. He was modest and honest. Zhu Chenhao, king of Ning, hired him because of his admiration for his virtue. Wen Zhengming didn't go there to cure his illness. In the last years of Zhengde, the Imperial Academy was granted the imperial edict because of the recommendation of the Ministry of examiners by the year-old Gongsheng. He didn't work as a powerful man, especially refused to paint for the vassals and the middle officials. Soon after he was appointed as an official, he resigned and returned home. There is the collection of Futian.
Wen Zhengming's calligraphy and painting attainments are very comprehensive, and he is proficient in poetry, literature, calligraphy and painting. He is called the all-round talent of the "four wonders". Bai Juyi and Su Shi, the poets, were educated in Wu Kuan, Li Yingzhen and Shen Zhou. He and Shen Zhou co founded the Wu school. In the history of painting, he and Shen Zhou, Tang Yin and Qiu Ying are called the "four schools of Ming Dynasty" (also called the "four schools of Wumen"). In poetry and prose, he was named "four talented men of Wuzhong" together with Zhu Yunming, Tang Yin and Xu Zhenqing.
Wenzhengming's paintings are good at landscapes, orchids and bamboos, figures, flowers and other branches, especially fine landscapes. In his early years, he was a teacher of Shen Zhou. Later, he devoted himself to Zhao Mengfu, Wang Meng and Wu Zhen. The style of painting is thick and thin. The thick brush comes from Shenzhou and Wuzhen. It is also made of Zhao Mengfu's ancient wood, bamboo and stone. Its ink is vigorous, with dry brush, chapped brush and calligraphy flying white. It can see the level and charm in the rough and simple. The thin brush is made of Zhao Mengfu and Wang Meng. The scenery is dense, with less space and depth, and the shape is regular. When it is used, it can see the edges and corners and the shape changes. When it is used, it is a little rough, and when it is refined, it can see the clumsiness. The colors are mostly green and heavy, and the light crimson is applied between them. You can see the elegance in the freshness. This fine brush landscape is a natural painting, with decorative, lyrical, childish, Li Jia Qi and other characteristics, which also laid the basic characteristics of the "Wu School".
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